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West Coast Racing Regatta

On Thursday August 19th I flew out of Toronto to Vancouver for a racing regatta. I arrived in Vancouver and had a friend living in Vancouver pick me up at the airport and drop me off at an uhual rental. I picked up a uhual van for the weekend so I had wheels to get around and also a place to sleep as hotels near the event site were not cheap. So I got my uhual for $19.95 a day and cruised up from Vancouver to Squamish, which is right next door to famous whistler BC.

Squamish is very similar to Hood River – windy almost everyday, good flat but cold water. The first day I arrived I picked up some supplies for sleeping (air mattress, pillow ect) I had a late session that evening on my new rogue wave race board which I’d never ridden before. The board seemed fast so far but then again I hadn’t ridden a race board in 2 or 3 years. The following day I woke up early, grabbed a bite to eat and went for a flat water session in my boots! What a sick spot they have in Squamish for freestyle! The following day the races started. I managed to pull out some okay results. (6,5,5,4) I was a little disappointed with my results but racing has changed a lot since I last touched a race board. The new race boards have either 3 or 4 fins about half a meter long –  just ridiculous size. The following day there was no wind for races but they tried to run one anyways and most riders weren’t able to finish the race me included so I was rewarded with a DNF. Over all I took 5th in the mens pro division which was a little tough to deal with at first but racing at the end of the day all comes down to gear and I was a bit behind in fin size and board volume. Kris Kinn, also a fellow Best kiteboarder and rogue wave team mate managed to finish second out of the pro womens division. Stoked for her!

Enjoyed trying something new that I haven’t done in a while but I think for the next little while I’m going to continue to stick to the freestyle side of things.

Comments: none

Sarnia System 2.0

Sarnia 2.0 Cable / Sarnia, Ontario Canada / Aug 3rd:  I’ve been at home for the past couple of weeks now since I returned from Hood River. So I taught some kite lessons with Kiteride.ca and worked on the cabin I’m building. Last week there wasn’t a ton of wind and I needed a break from my building project so I headed to Sarnia which is about 5 hours from where I live with a few friends and got to get a few hours in on the System 2.0 they have set up at the Marina there. The 2.0 felt very similar to a cable but boy-o-boy it’s much more expensive. It was 75$ for four of us for one hour compared to the cable park where it’s 30$ for a person all day! We had a few fun hours sessioning their dance floor and up the flat rail. Check out the photos!

Comments: 2

RoSham Throw Down

Mid July 8th I flew out of Hatteras North Carolina where I was shooting with Stance magazine and the rest of the NA Blend crew and, headed to Hood River to continue shooting with the Na Blend Crew but also to check out the RoSham Throw Down slider event that was happening at the sand bar in Hood River.

A lot of big names were in town for the event: Light, Hadlow, Lenten, Jensen, Van Malsen, Riestra and many, many more. For me, I was just stoked to ride with all my friends and get a chance to hit sliders and just have fun in the water. The event set up was three, one- hour mens’ heats and one womens’ heat. It was nice having such long heats because it gave you a chance to actually ride and get your tricks and hits in rather than to rush through an 8 minute heat.

My first heat was stacked! Reinstra, Hadlow, Lenten, Sexton, Jensen, Houtz, and Texier.

I looked at it like… “these guys are all my bro’s I’m just going to go out have fun on the sliders and try and keep my kite as low as possible.” The winds were cranking I was stacked on my 7m Best Team C and my signature Balance 38. I was able to pull off some good slider hits, a couple of air tricks and one kicker hit. The winds were super strong which was a little tricky for me to get used to but I gave it my all. Well… I guess my plan worked I came out second to Aaron Hadlow. Advancing into the final with Aaron in 1st, myself 2nd and Ruben 3rd – I was pretty stoked !

A few hours later and a few mph less and I was pumping up my 11m Team C for the Finals. The Finals were stacked with some of the top riders! Hadlow, Lenten, myself, Brady, Light, Bell, Scheid, Richman and Parker. The winds had dropped a fair bit from the first heat that I was in but I still had solid power on my 11. I managed to get some slider hits that as I was coming off the slider my kite was in the water. The judges were stoked on how low I was keeping the kite! About half way through the heat the wind died right out and riders were forced to either walk upwind or swim in…..

That was it for the event!

At the awards that evening Aaron Hadlow took first, Brandon Scheid, second and Billy Parker, third. I was a little bummed out I didn’t make the top 3 but the wind died through the finals which made for a shorter heat. But I was stoked to be out on the water with some friends riding and to make it to the finals with some of the best is always a bonus!

Comments: none

puss and the crab

I’ve been catsitting a friend’s cat … a sweet, shy, affectionate cat named Puss, who lives all by herself in a poolside cabana.

Here’s the situation: the “dad”of the family is either allergic to or doesn’t like cats, or maybe both, so when the “dad” and the “mom” got married, the cat got banished to the poolside cabana, two floors below from the “main” house, cut off from an around-the-clock supply of human interaction.  I have no problem when this happens to a child, but when it happens to an actual cat, it breaks my heart.

So when I heard the “mom” was going out of town for two weeks, I immediately volunteered to cat sit. (I have a bit of unresolved guilt, due to the three cats I gave away when I went to teach kiteboarding in the DR, so any chance I get, I try to make up for it by being especially nice to cats.)

“Puss used to be an outdoor cat,” the “mom” said to me once (rather sadly, I thought). “Now she just stays inside.”

And by inside, she really means inside. Every time I’d seen Puss, it had never been in the light of day.  I’d always had to visit Puss in her closet, awkwardly reaching in to pet her silky wondrousness.  And, while I can understand wanting to keep your cats inside (cars, coyotes, ticks, neighborhood boys with razors), I’ve never met a cat that didn’t want to GO outside.  I used to have to physically block my cats from rushing past me like three little hoodlums every time I opened the door, until I finally just gave in, and hoped for the best.  So, I just can’t understand being a cat and not wanting to go outside, even if it’s just to laze around in the sun, on a fairly safe and sheltered patio near the pool.  And what kind of a life is it anyway, spending all your time in a closet, all by yourself, and never coming out?   How sad.

In hindsight, it occurs to me that perhaps I was mistaking Puss’s natural shyness around a new person for debilitating depression.   Plus, I’d only seen in her during the daytime, which is nighttime for cats.  If someone kept coming around to see me when I was asleep, reaching into pet me in the middle of the night and expecting me to frisk around the apartment chasing feathers tied to a stick, I don’t think I’d react in my usual sparkling way either. So, it is entirely possible that Puss was always the outgoing, talkative, well-adjusted, patio-comfortable cat that I now see before me, who I now have to watch like a hawk so that she doesn’t sneak through one of the little holes in the courtyard wall that lead out into the real world.  But, in the beginning, I chalked up whatever was making her stick to her closet as a lack of confidence due to a lack of attention, and dad blast it, I was going to shower this poor lonely kitty with non-stop attention and nurse her back to emotional health.   Bring in the cavalry! Dunt dun-nun nuhn!  Have no fear, Stacey is here!  

So, I slowly began to expand Puss’s horizons. “It’s too nice a day to be inside!” to quote my mom. “Get out there and play!”  That kind of thing.  “There’s more to living your whole life on a blanket on a closet shelf in a poolside cabana!”

I’d been opening the door that leads onto the patio, letting in some fresh air, for crying out loud, and little by little, she’d been making her way out, slowly, slowly, at first, just tentative peeks over the doorway, sticking her head out, then her one paw, then her two paw, and then … a leaf would come blowing by and she’d scuttle back to her closet. One paw forward, a hundred paws back.

Soon, she could make it all the way out the door, where she’d sit for a minute or two in quivery Orange Alert mode, until another big scary leaf would come billowing by, and back she’d retreat, to the safety of her closet.  But still … progress!

One night early on in my Horizon-Expanding Campaign, the door is wide open, Puss is on the couch, and we’re sitting there watching Seinfeld.  We hear this rustling sound.  Leaves, I think.  Puss thinks otherwise.  She jumps off the couch and is sitting captive, two feet from the door (so very bold of her, I think).  I look up, expecting to see an innocuous leaf blowing by, but much to my surprise, it’s not a leaf.  It’s a crab the size of a lobster, and he’s SIDESTEPPING by the door! He’s not even on all fours, like the way they lead you to believe a crab walks when they make you get on all fours with your belly to the sky and play crabwalk kickball in gym class.  NO!  This crab looks like he’s Chichita Banana trying out for the Rockettes! He’s standing upright, on two legs, and has his two huge claws raised (and snapping!) in the air, and he’s shuffling SIDEWAYS past the door … Carmen Miranda meets the Little Mermaid!  He is completely facing the audience (me and Puss), and he’s LOOKING at us with those two things at the top of his belly/shell that you don’t THINK are eyes, but now, I think they ARE eyes … they LOOK like eyes! .. and his ability to maintain eye contact is unrivalled.

This little soft-shoe routine across stage right seems to be happening in slow motion, but it’s not. It’s happening way too fast and I’m too surprised by this display to move, too stunned to stop the trainwreck that I know is about to happen.  And it happens. The crab bangs into the open glass door (he didn’t see that coming, but I did), and is immediately redirected … INTO THE CABANA!  To his credit, he doesn’t miss a beat.  He takes the change to his trajectory completely in stride and just keeps on going! And then, there he is, the giant crab … INSIDE THE CABANA WITH US!  Heavens to Betsy, what have I done?!?

While I’m watching this slow-motion trainwreck, I can’t help but wonder, in some other part of my brain (the part that has noticed that it’s about an hour past dinner time), if he’s softshell or hardshell, because either way … yum!! Those claws alone would make an entire meal! I look over at Puss, and with a shock, realize that she’s thinking the exact same thing:  her ears are perked forward, her tail is swishing back and forth, and she’s licking her chops and salivating, totally getting ready for the kill.

Sweet little Puss, who had heretofore been afraid of a wayward leaf!?  I’m trying to keep my eye on the crab, who is now firmly inside the cabana, while also trying to keep Puss from attacking the crab. “Puss, NO! Get back!” I shout, probably undoing all the therapeutic confidence-building I’d been doing for the last three days. But, to be honest, I’m not sure who’d win, if it came down to it, and I fear it might not be Puss, regardless of how confident she appears to be at the moment. This crab is huge, but Puss is looking fierce, and I’m afraid that, regardless of who wins, there will be bloodshed on both sides.

I quickly grab the feathery stick I’d brought over for Puss to play with (but which she never really liked) and try to block the crab from getting any further, but it doesn’t work.  In a sword-playing scene almost as good as the one in Princess Bride with the Dread Pirate Roberts and Inigo Montoya on top of the Cliffs of Insanity (except for backflips, on my part, although the crab manages to do about five of them), the crab ends up firmly entrenched in the corner between the wall and the bookshelf.  I somehow manage to one-handedly block off the couch with Puss’s plastic food container (phew! it would have been game over, if the crab had made it under the couch), and the crab and I settle into a hostile standoff.

I’m so scared at the prospect of this giant crab at large in Cabana #107 that I almost call the “dad” who must be upstairs, I think, but I don’t have my phone with me, so I can’t!

Help!

For the next hour, Puss sits hiding in the closet, and I stand poised with the feather stick, but of us frozen with fear, until I somehow muster up all of my courage and drag the crab out of the cabana with a roll of paper towels.

Puss doesn’t believe me, that the crab is gone, and continues to search for it, underneath the couch, etc, for the rest of the night, and well into the next day.

I think this is good.  My plan is entirely working.   It gives her something to be excited about.

Comments: none

booty shorts

I would like to say that the problem started the moment I walked on stage.  It sounds more dramatic that way, but that would be a lie.  Although I didn’t know it then, the problem actually started two days prior to the performance, and I’d even become alert to the POSSIBILITY of a problem about an hour before walking on stage.  I just didn’t know how big of a problem it was actually going to be until … about a minute into it, as part of the stretching warm-up routine … I faced the audience and lowered into a split, extending my legs into a nice wide “V.”  For the record, this is a really, really bad position in which to be when you discover that you have a problem.

Let me set the scene a little.  We’re in the ballroom at the Marriott.  The event is called “Just Us Girls” and the room is packed with girls aged 0 to 100, all of them dressed to the nines.  But it’s not “just us girls;” there are men there too, lots of men.  Area businesses have rented out tables, and there is shopping, complimentary massages, wine tasting, a silent auction, a psychic reader, a Gecko guy passing out sparkling purple beads, you name it.  The stage is truly a stage, set up at one end of the room, with a real live DJ.  Formal dining room chairs have been arranged in rows on both sides of the stage, and upon these chairs perch little old ladies in suits and purses, flanked by an occassional grey-haired male suitor.   Upon the stage, in their shining glory, are the two portable stripper poles that Carla has ported over from the studio.

For my part, everything should’ve been in order.  Everything WAS in order.  I’d plotted out my dance in an Excel spreadsheet, memorized word cues for each move, and practiced over and over every night in the reflection of the sliding glass doors.  I still didn’t have that sexy thing going on, but I was ok with that. All I wanted was to be able to get through a synchronized – albeit mechanical and dumbed-down – version of whatever routine Carla was doing.  And I was there! I could do it!

I have never been more prepared for anything in my life!  Had I been THIS prepared during MBA school, I’d be – right now – sitting in a corner office on Wall Street, losing millions of dollars for my clients on a daily basis. I’d have shown up for all my classes and instead of merely blacking out boxes on Multiple Choice midterms with my No. 2 Pencil in what I hoped would be a winning pattern (but wasn’t), I might have actually made something of myself!

I’d even found the obscure little dance shop out on Boynton Beach Boulevard, and had bought exactly what Carla had told me to buy for our group uniform: a little pair of black spandex “booty shorts.”  Which, in my opinion, makes them sound dirty and hood-like and is not a name which should be used in polite company.  In the olden days, we called them “tap pants,” and in the more recent olden days, “boy shorts.” Much nicer terms, both of them, but whatever. Potato, potahto. They’re just very short little dancing pants, whose shortness, I proport, is much more a function of practicality than a cheap attempt to look sexy by wearing pants the size of underwear in public.

Let me esplain.  No, there is too much.  Let me sum up: if there is any fabric between you and the pole, you slide off.  Skin is what enables you to stick to the pole, so if you have any fabric covering the important parts (your arms or your legs), you slide off and could break your neck and die.  (So there! You can now officially stop looking at pole dancers and thinking they dress to look like sluts. They dress like that as a means of survival!)

Anyway, I’d driven out there two days ago, and the shopkeeper, who had the chubby elegance of an aging ballerina, was extremely helpful and pleasant.  She led me right to the rack that I needed.  “They run very small … a size or two small,” she says, holding up a pair of black spandex shorts that would barely fit an infant. “See? And THIS is a medium.”

“Oh,” I say, a bit taken aback by their smallness, exactly the reaction for which she was hoping. “Wow! They DO run small!”

“I don’t want to insult you,” she nodded conspiratorially, “But I’d go with a large.” 

Which is fine with me.  Last thing I want, while standing in front of a live studio audience, is to be wearing a pair of skin tight booty shorts. For my pole dancing debut, I’d prefer to err on the side of modesty.

I try on the large, in a tiny little dressing room, and as I’m standing there in front of the mirror, they seem fine.  Not skin tight at all. Perfect.  I buy the large.

(I would encourage anyone else in that same situation NOT to do what I just did.  When trying on the costume you will soon be wearing for your big dance debut, don’t just stand there admiring yourself.  Insist that Aging Ballerina watches as you high-kick and wide-split yourself across the floor, and make her tell you if she sees anything she shouldn’t be seeing.  That’s her job, for crying out loud.  Insist that she does it!)

So, cut to Thursday night.  As I’m wandering around the big ballroom, casing the joint, making sure I don’t see anyone that I actually know (and preparing to kill myself if I do), I suspect I might be in for a little trouble.  The shorts have started to stretch out a little, and I can feel them becoming baggy where they’re supposed to be tight, creating possible viewing portals, I fear, between myself and the fabric.  I begin to question the wiseness of another decision I’d made regarding my costume, which, to quote Brooke Shields, was that “nothing was going to come between me and my Calvins.”  Unsightly panty lines?  Not for this stripper.

The shorts keep creeping up, and I’m constantly tugging at them to keep them down, but what can I do?  The show must go on. As a last ditch effort, at the suggestion of seasoned professional Fourth Girl, I take some of the sticky glue you use on your hands and try to “stick” my shorts to my legs.

 “Just don’t get mad if you can’t get your shorts off and have to wear them for the next four weeks,” she warns me.

Which at this point, would be the least of my worries.

In my defense, I would just like to say that I didn’t KNOW there was going to be a stretching onstage warm-up. I didn’t KNOW there were going to be splits.  No one told me there were going to be warm-up OR splits until JUST THEN!

“WHAT?” I scream. “There’s a warm-up?”

“You’ll be FINE,” everyone reassures me.

“No,” I say, “I really don’t think I will be.  These shorts … ”

But the music has already started and Carla is pushing me up on stage.  Pushing, dragging, pulling on my leash as I dig in with all fours … you get the picture.

As I lower myself into the split, I can feel the fabric not covering what it is supposed to be covering and a quick glance down shows me everything I don’t need to be seeing.  My showtime smile turns into a look of abject horror, my eyes are bugged out in shock, and I feel sick.  All I can hear in my mind is Carla’s introductory speech to the audience only seconds before: “This is not Stripper Pole.  That’s a big misconception in this sport.  This is Acrobatic Pole. We will be keeping our clothes on!”  The women in the audience had tittered with relief; the men in the audience had looked disappointed.

And, while technically, it is true that I am “keeping my clothes on,” it doesn’t mean the audience is not getting a “show.”  I sink down further into my split, feeling cool and air-conditioned, and begin silently apologizing to Carla, to the studio, and to everyone within 50 feet of the stage.

Just to be sure, when I get home, I test out the booty shorts by doing a V split in front of the full-length mirror in my bathroom. 

Yep, just as I suspected. The audience definitely got a show. 

(This blog is posthumously dedicated to Mr. Mitchell, a dedication which will make my sisters laugh, and which will horrify my mother, although, secretly, she’ll probably laugh too. My dad will be best off if he goes blythely on about his business and never asks.)

Comments: 4

size only matters sometimes

Yesterday, the three of us (me, Carla, and Advanced Girl) met off-hours at the studio to practice our routines for the big stripper pole revue coming up this week.

But when I got there, it wasn’t just the three of us.  A fourth girl was there, too, and it turns out that Fourth Girl with be performing a pole dancing “shoot out” with Advanced Girl. Fourth Girl will start off with a spin, and Advanced Girl will “see” that spin and raise it with a harder spin, and so on, and so forth, each time upping the ante, until finally one of them has elaborately spun herself all the way to the top of the pole, upside-down and backwards, her legs out in a split (the “money” shot), and no one else can go any farther.

There’s a lot of theatrical “ta daaaa!”ing of the arms, as they hand the stage back over to each other, and at the very end of the routine, before they exit the stage, they strut towards each other and flip each other off with their hair.  (I would personally prefer that they chest-bump each other sumo wrestler-style instead, but no one else seems to share my choreographical vision.)  But anyway, bravo!

But … here’s the twist.  Have you ever seen a large pole dancer?  NEITHER HAD I!  Not until I showed up yesterday and met Fourth Girl!  I have to hand it to her: she really gets herself up on the pole pretty well, and has the whole sexy attitude down pat, way better than I do.  It was really quite inspiring … I just never would’ve thunk it. So I googled it, to see if there was maybe a whole segment of the pole dancing population I didn’t know about; and while it doesn’t appear that there is, I think I found the reason:

http://www.bofunk.com/video/8085/fat_chick_pole_dance_crash.html

Comments: 2

johnny bravo

So, guess who gets to be in a Stripper Pole Dancing Revue next Thursday night?  Yep.  Me. In exactly six days … six! … I will be performing a 4 minute and 54 second pole dancing routine to Madonna’s rather racy “Did You Do It?” song at some sort of a trade show at a place I’m not going to mention in front of a packed studio audience.

That’s right.  Me, the pole, and the stripper dance.  The boy, the girl, and the jellybeans.  Had I known that signing up for an introductory stripper pole course … sorry, “Body Opera” Course; they don’t like it very much when I call it “Stripper Pole” Course … would land me, two months later, in such a fine kettle of fish, I would have taken my body and gone to sing it somewhere else.

I was informed of my upcoming pole dancing debut only yesterday. Imagine my surprise.  Especially because I only just “graduated” from the beginner course the night before and because I still really, really suck at it.

And why?  Why was I singled out from the rest of the beginner pack, who are all (to a man) 10 times more dance-y and coordinated than I am?  To what do I owe this extreme honor?

Remember the Brady Bunch episode where a talent agent signs Greg to become rock star “Johnny Bravo” not because of his great singing talent but because he “fit the suit”? Because he was the only guy they interviewed who fit into the suit they already owned?  Well, that’s me.  I am the Greg Brady/Johnny Bravo of the Pole Dancing World, the Pole Dancing Equivalent of “fitting the suit.”  Because I, ladies and gentlemen … dunt dunt nah nah! … can “stay on the pole”!  I am the only beginner out of all the other beginners who can actually “stay on the pole,” which is the sole qualifying move that leaves me the only contender in the race.

Which puts me in an uncomfortable situation: if I won’t do it, no one else can, which means there will be a gaping hole in the previously scheduled Body Opera programming.  I will be letting the studio down, and I already let so many people down on a daily basis that I really can’t afford to pile any more guilt onto my guilt-ridden plate.

So, while all the other beginners USED to be sad that, unlike me, they could not stay on the pole, as soon as they heard that it excused them from actually having to get up and swing around on a pole in front of a thousand judgmental strangers, they were suddenly very glad for their ineptitude, and began casting me sympathetic, “I’m SO glad I’m not you” looks.  So … yay me! I win, except by “winning” what I actually mean is “losing.”

Because, all “staying on the pole” means is this: I can pull myself up onto the pole with brute strength, scissor the pole between my legs and then hold myself there, without sliding off or crying because of how much it hurts the human body to actually perform such an inhumane act. It does NOT mean that I look good while getting onto the pole, or that I look good while actually staying on the pole, or that this movement could possibly inspire any of the viewing public to dream of me in a non-sisterly way and throw dollar bills in my direction.  Tomatoes, possibly, and laughter, certainly; but dollar bills and erotic thoughts, certainly never!

NOR does “staying on the pole” mean that I have any type of “dancing” skills whatsoever, which is a big problem since there is a lot more “dancing” in the routine than actual “staying on the pole.”  Staying on the pole is a 12 second job at the most; the rest of the routine’s 4 minutes and 42 seconds involves me strolling around the platform trying to look sexy, including a bonus section where I writhe around on the floor on my back, in a fit of ecstasy!  “It’s like you’re a bug, stuck in something sticky and you’re trying to get out, and the harder it is to get out of the stickiness, the sexier it looks.”  I kid you not.  That was the visual, and I must say, I come very close to looking like a terrified insect in the throes of death trying to extricate itself from the web of an advancing spider … yes, indeed.

If you’re still not sure how great of a dancer I’m not, here’s one more: remember Jennifer Gray in Dirty Dancing, when she’s first learning to dance, how she thinks she’s being all sexy but she just looks stupid and awkward, and how you just feel embarrassed for her the whole time?  And how poor Patrick Swayze is finally driven to frustration with her pathetic dancing and calls her Spaghetti Arms?  “LOOK, Spaghetti arms! This is my dance space. This is your dance space.  I don’t go into yours, you don’t go into mine.”  THAT IS ME.  I am Spaghetti Arms!

And here’s the worst part of it. I will NOT be doing this routine alone. There will be someone else next to me on another pole, doing the routine at the same time.  At first, I got confused and thought that NOT having someone else next to me doing the routine at the same time was the worst part. 

“This sucks!” I said to the Advanced Girl, who I knew would be performing the advanced routine as a “duet” with our incredibly sexy and sensual and elegant instructor, Carla.  “At least you have a friend out there with you! At least you don’t have to be out there alone all by yourself!”

“What? You won’t be out there by yourself alone either!” said Advanced Girl. “Carla will be out there with you too …  you’ll both be doing the routine together, just like me.”

“WHAT?” I scream, suddenly realizing where I went wrong in the “worst thing” department.   “CARLA will be out there with me too?” I have to dance next to CARLA?

This is TRULY the worst news yet, because at least if it was just going to be me, no one would have any basis for comparison.  It’s like, if you’ve never been to a horse race before and they wheel out a down-trodden old school horse and then let him run the race alone.  You don’t know any better  … you’ve never been to a race before … so you think the old school horse is great.  Go, old school horse!  But as soon as they trot out a Thoroughbred and throw the Thoroughbred into the mix, you suddenly see the school horse for what he is.  “What a hack!” you shout.  “Why even bother? You don’t stand a chance.”   That is me.  I’m a hack! I don’t stand a chance!

But I think Carla misunderstands my tone, and hears my exclamation as one of happiness and relief.

“Of course I’ll be out there with you!” she says cheerfully. “Don’t worry!  I’d never throw you under the bus like that!  I’ll be right out there with you the whole time!”

“But … but …”  I stutter.   “Throw me under the bus … please, I beg of you, throw me under the bus,” is what I’m thinking.  I don’t WANT to be dancing next to Carla, who is beautiful and elegant and sensual, and makes pole dancing look like Fine Art.  Does she have any idea how this is going to make me look?

Apparently, yes, she does.

“It’s to show the different levels of progression,” she says.  Which is a great thing, if you’re CARLA, but which SUCKS if you’re me.

“SOME PROGRESSION!” I wail.  “GREAT! (I point to her) and TERRIBLE (I indicate myself).”  I’m about to become the “Glamour Don’t” girl of Pole Dancing! I may as well just wear a little black box over my eyes straight off the bat and save the editors the trouble of photo-shopping one onto me afterwards.  Which, actually, might not be a bad idea:  maybe I’ll wear a blindfold and be like my old cat, who used to stick just his head under the rug and think I couldn’t see him, even though the rest of his body was on full fluffy-white display.  If I can’t see them, they can’t see me … mrrrrrr-owl!

“Oh don’t worry,” says Carla happily, because it’s easy to be happy when you’re the Highest Level of Progression like she is.  “The instructor always looks better than everyone else, that’s just how it is, otherwise I wouldn’t be the instructor, but trust me.  All these people will be so drunk and happy by the time we get there that if you just spin around on the platform they’ll think it’s great.”

“I WOULD NOT BE TOO SURE ABOUT THAT,” I shout.

I’m doomed.  Doomed, I tell you. Doomed.

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how ’bout you call me “Bum-Chin Chet”?

I just called UPS to find out why an urgently-needed shipment was rescheduled from this Friday to next Monday.

“And with whom do I have the pleasure of speaking?” asks the gentleman on the other end of the line.

“Well, I’m not sure if you’re going to think it’s a pleasure by the end of the call,” I say,  almost choking on my own wit, since I know what I’m going to be talking to him about and he doesn’t. “But my name is Stacey.”

“Ok, then, Stacey,” he says, unfazed.  “May I call you Stacey?”

Is that really a necessary question?  What else would you possibly call me?  My mind races with all the fun possibilities.

“No,” I’m tempted to say, “My name is Stacey, but I’d prefer it if you called me “Todd.”"

Or, maybe “Darling.”  Or “Princess,” perhaps.

I wonder how he’d react if I asked him to call me “A Force With Which To Be Reckoned.”  Or “Ruthie Pigface Draper.”

Unfortunately, my mind is not racing fast enough and I can’t decide on the best choice … there are so many best choices! … but I need to answer the guy soon because there’s already been too long of an uncomfortable pause while he awaits confirmation on the use of my name.  But it’s hard to speak when you’re laughing so hard.

“Yes, yes fine,” I’m finally able to spit out, “Go ahead, call me Stacey,” and then I have to put him on mute for a few seconds while I get ahold of myself.

Sometimes it’s just really hard being your own Self-Contained Entertainment Unit.

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crime scene investigates

At the moment, it looks like our office is the scene of a horrible crime. Ropes and ropes of yellow caution tape surround the outside of the building, blocking the stairway, and we all have to park on the south side of the parking lot.  Our business-neighbors to the west, the Delray Shooting Range, who themselves often have ropes and ropes of yellow caution tape strung outside their offices due to an occasional customer who rents one of their guns and shoots himself in the head, have been driving by, waving sympathetically.

And all because of why? Because of Troy.

Remember Troy?  The guy who – when we twist his head off – sprockets pop out of his neck because he’s actually a computerized robot?

Troy, aka “Droid,” who is not going to be happy until Big Brother-like cameras are installed into every corner of every available space in the office, and even into our computers, and possibly our minds, so that he can tune into our doings like the lady on Romper Room with her Magic Mirror?   “Romper bomper, stomper boo … tell me, tell me, tell me, do! Magic Mirror, tell me today, did all my friends come to work today? I see Lia came to work today! I see Sue came to work today!  And Stacey, even Stacey came to work today!”

Troy, whose mother came into the office a month or so ago, and all I could do was stare at her with my mouth hanging open as if she were a holy relic?

“But … but … she looks so NORMAL!” was all I kept thinking.  “So human!”

“I just don’t understand!” I said to him the next day.  “It’s so weird to think of you, with a mother.”

“What,” said Troy, “You thought they just rolled me out of the factory?”

Yes, Troy, pretty much.  That is pretty much what I was thinking.

So, getting back to my point, the reason for all the hoopla out in the parking lot, complete with two building maintenance men, who drive by in a golf cart every once in awhile to stroke their beards and consult amongst themselves over how to best proceed with the project?

The reason is simply this: every time it rains, a little inch-high puddle forms next to the stairs, and Troy (yes, Troy) has to walk from his car through the puddle in order to get to the building.

And, since Troy is one of those rare Florida professional types who wears a polo shirt tucked (TUCKED! AND BELTED!) into khakis, along with grown-up shoes and socks, when he walks through the puddle, he gets his shoes and socks wet and then he has to sit around the office all day with wet shoes and socks, and he doesn’t like it.

He doesn’t like it SO MUCH that he actually filed a complaint with the Maintenance Office, so vociferous and scathing in nature that they had no choice but to come dig up the entire parking lot and build Troy his drainage ditch.  Never again will Troy have to wade through an inch of water and have to sit around all day with wet socks!

I sit here in shock and awe.

Whatever happened to jumping over the puddle?  Or wearing flipflops when it rains? Or rainboots! There’s a concept … rainboots! Or coming to work with an extra change of clothes and then singing a neighborly little song while tossing the wet stuff over your shoulder and changing into the dry stuff?  I just can’t see Mr. Rogers calling up Joe “Handyman” Negri and insisting that he perform expensive reconstructive surgery on his parking lot.

I’ve been blown away by this all day, and even found a great magazine picture of a big fat guy in a suitcoat standing in a knee-deep puddle of water with his pants rolled up that I want to photoshop and stick Troy’s head on and hang outside the office so that the poor construction workers saddled with such a ludicrous project know who to target with their curses and car-keying (except, I should probably mention that Troy isn’t fat, otherwise, he might change the alarm code on me or something).

But then, it HIT me why this puddle thing is such a big deal to Troy.

We were both looking at the prototype for the new surf sock that just came in from the factory.  It’s big and soft and is made out of a light blue-and-white-check knit fabric that looks like it was stolen from Babies-R-Us.   Just looking at it makes me want to go lie in a crib and take a nap and I guess it also stirs up the same sort of feelings in Troy, because all of a sudden he started telling me about the little yellow blanket that he had as a child.

“Did you call it “Blankie”?  I asked.  I called my blankie “Blankie,” and I called the silky little parts that fell off Blankie’s edges “Parts.”  (This was before it occurred to me to wonder about the incongruity of ComputerBoy having a little yellow baby blanket). 

“Oh, no,” he said formally. “I didn’t have a name for it.”

“Of course you didn’t,” I said, as it simultaneously occurred to me to wonder about the incongruity of ComputerBoy having a little yellow baby blanket.  “Wait, Troy, why would you even need a blanket?  You’d've been fine on a stainless steel rack.”

And that is when it hit me.  Of course!  Why didn’t I think of this before?  Troy is a robot, and robots are made out of stainless steel … or some other type of metal.  And everyone knows:  you can’t get computers wet!  They rust! They short-circuit!  They malfunction! They do not compute!

And, since Troy … only moments ago … just did a hugely important favor for me … ran a computerized system price update for 5100 items, instead of making me update them all manually, which I can’t even tell you how long it would’ve taken me, I am suddenly not so opposed to this ditch digging project, and might even go out and help them.

It would not be a good thing to short-circuit the company robot.  It would not be a good thing at all.

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scary games

I get confused, now, when I see skylines on television, when script writers use a shot of the skyline, to get me in the mood, thinking I’ll automatically know to which city they are referring.  But I don’t know now.  I used to know, when the Twin Towers still stood, and I could automatically rule out New York, and then could guess pretty well whether it was Chicago or Boston or somewhere else. But now, I just don’t know. Without the Twin Towers as an unmistakable anchor, the Manhattan Skyline is unfamiliar to me. It’s all so unclear now, and I’m never sure, when shown a skyline, where I’m supposed to be.

 My dad and I once stood on the Observation Deck of the South Tower, and played a game of “let’s freak ourselves out.”  We’d lean over the guard rail, towards the window as far as we could, and with our foreheads resting on the glass, we’d look down, miles down, into the streets below, and pretend we were about to jump. It was an impossible, frightening distance, and it was easy to scare yourself, and it was fun, like how it was fun to scare yourself by watching a scary movie.  What if we fell?  What if we had to jump?  But we didn’t have to jump; it was unthinkable, it was out of the question. No one would ever, in a thousand years, have to jump from the top of this building like that. It just couldn’t happen. It was impossible.

——

Tuesday September 11, 2001

I woke up feverish that morning, possibly from eating – the night before – three mussels that hadn’t cracked themselves open during the boiling process, but which I forced open anyway.  I considered calling in sick, something I never did, but today was not just a normal day at the corporate offices in Milford; today was the once-monthly forecast meeting in the City, an important meeting that promised to be difficult.  I couldn’t afford to miss it.

As sick as I was, I still noticed the unusual brilliance of the morning (and I’m not just throwing that in for dramatic effect, after the fact).  It was an unnaturally stunning morning, as if someone had turned both the intensity and the contrast buttons to high.  The sky was computer-screen blue, and the colors of the leaves, only just beginning to speak of fall, were lemon, lime, and loden, with a hint of russet and wine, shining with reflected sunlight.

Stopping first for coffee, which I thought would help my sickness but didn’t, I barely made the 7:44 southbound train, which would put me into Grand Central at 9:06, just in time for the 9:30 meeting.  As usual, I picked the wrong car, the car with the large, annoying Monica Lewinsky-type girl, who proceeded to call every single person in her extended network, talking loudly and at length about every single thing that had ever happened to her in her life since the beginning of time.  She finally shut up long enough for me to fall into a feverish doze, only to be awakened a few minutes later by the jangling ring of her phone.

“Hello?” she screamed, and then went silent for a few seconds, a notable event in itself. “What?” she shouted. “The World Trade Center was attacked by terrorists?”

I rolled my eyes. What an attention-whore.

(Fact: 8:45AM: a  hijacked passenger jet, American Airlines Flight 11 out of Boston, Massachusetts, crashes into the north tower of the World Trade Center, tearing a gaping hole in the building and setting it afire.)

The girl next to me, who liked Loud Annoying Girl about as much as I did, said, “Did she just say the WTC was attacked by terrorists?”

“I think so,” I said, and rolled my eyes again. None of us believed her, and that was all we heard from Loud Girl.  Her phone lost reception almost immediately, and no one had any luck dialing out either.

When the train stopped at one of the stations just outside the city a few minutes later, however, something did seem to be a little off.  Maybe Loud Girl was right, or at least halfway right.  Maybe something small had happened, maybe a bomb scare at the WTC, something not too bad, but at least big enough to give me a believable excuse for being late to the meeting.

Fifteen minutes later, the train started up again, heading south.  They were taking us into the city; how bad could it be?  If there was any real danger, they’d have turned us around and gone the other way.

(Fact: 9:03 a.m.: A second hijacked airliner, United Airlines Flight 175 from Boston, crashes into the south tower of the World Trade Center and explodes. Both buildings are burning.)

If Grand Central felt strange to me – a large hollowing echo – it was only because I had a fever of about 102. Otherwise, walking south on Park Avenue, except for a thick gray plume of smoke off in the distant sky in front of me, it was business as usual.  There was no panic, no sense that anything terribly bad was going on. This was midtown, far from the action.  No one really knew anything; it was too soon.

When I got to the office a few minutes later, Jeff, my boss, was hard at work, more concerned about how to remove the gridlines from his Excel spreadsheet than the fact that something might have just crashed into the World Trade Center.  There was something about Jeff that had recently made me want to disagree with everything he said.  I didn’t think anything work-stopping was happening either, but if he said black, I felt compelled to say white.

“But, look,” I said. “You can see it from the window.   The sky is filled with smoke! There’s something going on down at the World Trade Center.  Check it out.”

“Hunh.  Cool,” he said, coming over to the window, but not very impressed.  “Well, Gwen should be here in a few minutes.  We’ll start the meeting then.”

“Oh … Stacey, you’re here,” said the receptionist.  “Your mother just called, please call her back.” 

My mother just called?  Why?  How did she find me in New York?  She doesn’t have the number in New York.  Why is she calling me in New York?  I call her back, hoping no one had died at home.

“Oh Stacey, where are you?  Are you ok?”  my mother sounded so concerned it was almost funny.  She’d been watching the news, and knowing that I sometimes worked in the city, she’d feared the worst (that I’d been the direct object of the terrorist attack).   She’d called the Milford offices, and had tracked me down in New York.  The whole country was abuzz with the news, every TV in the nation was turned to CNN, yet here, in Midtown Manhattan, without a television, no one had any idea what was going on just a couple of miles south. 

“Yes, I’m fine.” I said.  “I’m far away from that, miles away.  It’s not as bad as the news is making it sound. We’re fine.”

I hang up and call Mark, at the offices in Milford, to get a non-mother-panicked perspective.  He tried to explain, but I still didn’t get it. “The plane is inside the building,” he said.  I picture an airplane sitting calmly inside the floor of a building, all of its passengers intact, still wearing their seatbelts, chatting casually to the people on whose floor they’d just landed, people enroute, perhaps, to the copier machine.  “Here, you guys want some coffee while you wait?”  “Sure, thanks!”

(Fact: 10:05 a.m.: The south tower of the World Trade Center collapses, plummeting into the streets below. A massive cloud of dust and debris forms and slowly drifts away from the building.)

Still not knowing how bad it was, the meeting was cancelled anyway, much to Jeff’s dismay, and we were all free to go home.  Jeff and I decide to walk as far south as we could, to get as close to ”the show” as possible, where, unbeknownst to us,  people were dying, getting smashed between floors, being burned to death, jumping to their deaths.

(Fact: 10:28 a.m.: The World Trade Center’s north tower collapses from the top down as if it were being peeled apart, releasing a tremendous cloud of debris and smoke.)

Every so often a police car would come screaming up through the streets, covered in debris, but that was it, except for the smokestacky greyness that billowed in the sky.  In midtown, people were just starting to realize that something was happening; there seemed to be a bit of a “snow-day vacation-from-school” sort of recklessness  A few blocks into the walk, however, I decided I was too sick to keep walking.  All I wanted was to be sitting on a train, headed back to Milford, where I could get into bed and sleep this thing off. 

I was on the first train out of the city, one of the first people to make it on the car.  I had my own seat, a window seat.  They didn’t charge that day, or check tickets.  We all just piled in, the cars packed with as many people as possible, people standing in the aisles, swaying back and forth, and not even caring, like a train bound for, or away from, Auschwitz.  I was unaware of how long we sat there, because I kept sliding in and out of a fevered sleep, but apparently, we sat there and waited for hours and hours of sweaty hours. Finally, the train pulled out of the station.

(Fact: 2:49 p.m.: At a news conference, Giuliani says that subway and bus service are partially restored in New York City. Asked about the number of people killed, Giuliani says, “I don’t think we want to speculate about that — more than any of us can bear.”)

I finally get home at around 6PM.  Mark is standing out in the yard, waiting for me.  He opens his arms, and he holds me, and I cry a little, not quite sure why, except I’m tired, and it feels like I’ve been gone for a long time, and I’m just very, very glad to be home.  We go inside, and I see the news for the first time.

I cannot believe it.   I am shocked.

———

It’s strange to think that I once sat above the NYC skyline, on the floor of a building that is no longer there. When I remember that day, and picture myself back there with my dad, leaning over the glass trying to scare myself, the floor feels ghostly, and I feel suspended above the city, breathless and exposed, held up by nothing.

And when I think of the people who played the same game that we did, only for real that day … the people who leaned over windows that were no longer there – their foreheads unchecked by glass – and fell from such heartbreaking height, I can’t begin to imagine the horror of what was happening around them, behind them, over them, under them, to make jumping from such a scary, impossible, unreal height seem like, this time, the better alternative.

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